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Showing posts with label E-Books. Show all posts
Showing posts with label E-Books. Show all posts

Thursday, November 15, 2012

हिन्दी में ई-पुस्तकें


होमी भाभा विज्ञान शिक्षा केन्द्र में विज्ञान के विभिन्न विषयों को सरल तरीके समझाने के उद्देश्य से कई पुस्तकों को लिखा गया है तथा अनुवाद किया गया है। इन पुस्तकों को दो वर्गों में बांटा जा सकता है।
  1. लोकोपयोगी विज्ञान (Popular Science Books)
  2. पाठ्यक्रम-संबंधी  (Curricular books)
यहां सभी पुस्तकों को विवरण सहित सूचीबद्ध किया गया है। पुस्तकों का प्रकाशन होमी भाभा विज्ञान शिक्षा केन्द्र तथा अन्य प्रकाशकों द्वारा किया गया है। कुछ पुस्तकों को PDF रूप में वेब साइट पर उपलब्ध कराया गया है, जिन्हें आप "आन लाइन पुस्तकें" पृष्ठ पर जाकर पढ़ सकते हैं। पुस्तकें मँगवांने या अधिक जानकारी के लिये नीचे लिखे पते पर सम्पर्क करें ।
प्रकाशन एवं विक्री (Publication & Sale):-
होमी भाभा विज्ञान शिक्षा केंद्र
टाटा मूलभूत अनुसंधान केंद्र
वी. एन. पुरव मार्ग, मानखुर्द
मुम्बई 400 088
फोन: +91 022 25072114, 25580036, 25567711
फेक्स: +91 022 25566803

Wednesday, October 10, 2012

eBooks in libraries


By Michael Wiebrands 

Image via Digital Trends (source).
There has been a major shift in popular reading formats in the last three years from the paperback book to the eBook. Many people now buy from the Amazon Kindle store and the Apple iBook store. What many people may not know is that public and university libraries provide access to eBooks as well. Curtin Library itself has a catalogue of over 70,000 eBooks. As a result you no longer have to come in to the library to borrow books, you can now access books from the library wherever you are.
Academic libraries have been providing eBooks for about a decade, with them being traditionally designed for access from your computer. To truly enjoy the books though it pays to have a modern mobile device that you can read with on the couch or on public transport. There are two main types of mobile devices you can use to read books from libraries, these are tablets such as the Apple iPad and the Google Nexus 7, and dedicated eReaders such as the Kobo and Sony Reader.

Image by uncafelitoalasonce (source).
eReaders are dedicated book reading devices that use e-ink to display text. eReaders are great because they can go for over a month without a battery recharge. Unlike tablets they also work very well in direct sunlight so they’re great for when you want to travel. Unfortunately newer eReaders only work well with modern eBook formats and not so well with all library eBooks. Curtin Library has some specialist collections that you can use with eReaders. Look here for more information.
Tablets let you do much more than read books. With this added power though comes downsides with the need to recharge your device more often and reduced visibility in sunlight. On the other hand you can more easily read both modern book formats as well as more traditional formats. To find out more about how you an access Curtin Library eBooks on your tablet look here for more information.

Image by Jay L. Clendenin (source).
Over the last year I have been reading almost all my eBooks on my iPhone, although most of the books I read are fiction and easily available from eBook stores. It tends to be the device I have all the time and I tend to read lots on public transport. Library materials for phones still have a way to go but progress is being made. All the eBooks usable on eReaders (above) work on mobile phones. Also many of the general library eBooks work adequately on phones with improvements being made every day. If you’re interested in investigating library resources for your phone you might like to check out Curtin Library’s recently redeveloped mobile website at m.library.curtin.edu.au.
About the AuthorMichael Wiebrands is the manager of the Access Team in the Robertson Library. Find out more about him here

Thursday, September 6, 2012

E-books, e-library - for your reading pleasure


E-books, e-library - for your reading pleasure
E-books, e-library - for your reading pleasure (Thinkstock photos/Getty Images)
An online library that also offers a pick-up and drop facility for books, getting to browse through various language newspapers at one site, or mastering the intricacies of math and science at the click of a mouse - welcome to the exciting world of e-books that beckons at the Delhi Book Fair. 

The Sep 1-9 Delhi Book Fair is focussing this year on e-books and e-publishing, and visitors at the fair can now purchase books online. 

The online library hookedonbook.com offersreaders thousands of titles to choose from and also provides pickup and drop of the books. 
Another site, readwhere.com, allows readers to browse through their choice of newspapers,comics and magazines and one can also purchase digitized books online. 
Both these e-sites are another innovative venture - meritnation.com - that provides online teaching material to students from Classes 1-12. The online tutorial has simply written texts, videos and cartoons to make the chapters easy, as well as weekly tests and a forum for asking questions. 
Vikram Khosla, the owner of hookedonbook.com, said he has 40,000 titles in his collection. 
"Subscribers can browse through the collection and list their 10 preferred titles. We will get their top favourite book delivered at their doorstep," Khosla told us. 
Once the person has finished reading, a call or a mail to the site will get a man to pick up the book. "While coming to pick up the book our man will bring along the next book in the subscribers' list," added Khosla. 
How will they ensure books remain in good condition? 
"Our books will be checked and the subscriber will be asked to sign on a slip of paper before the book is given to him." 
The rates begin from a starter plan of Rs.200 a month, for two books per month, and goes up to Rs.1,000 per month for unlimited number of books to be rented in a month. 
Khosla said he hit upon the idea when his daughters, who used to frequent libraries in the US, "started buying books after coming to India and realized there are very few libraries here". 
Those living outside Delhi can also subscribe. Their books will be couriered by Fedex, he added. 
Khosla is also planning to set up leisure reading rooms in south Delhi's Saket area soon, equipped "with bean bags, soft music, and light coffee - where people, including kids, can spend hours enjoying the reading experience". 
The online tutorials site, meritnation.com, is a venture by naukri
"We provide all study material online, including through visuals and diagrams," Priti Vajpayee, an official of the site, told us. 
Students can also post their queries online and an expert answers their query. 
"We also host live tests so that students are well prepared," said Vajpayee, adding the site gets "7,000 sign-ins a day". 
The e-tutorials cost Rs.2,200 for a year for two subjects, while a package of all the subjects costs Rs.4,500 a year. Tutorials for attempting the IIT-JEE engineering exams cost Rs.14,000 a year. 
Another interesting site - readwhere.com - offers readers a whole array of vernacular language newspapers, magazines and comics. 
It also allows booksellers to go for e-publishing of their books and has an online bookstore from which readers can order books online. 
"Ours is a free site where readers can access newspapers and magazines," said Arun Nair, an official for the managers of the site. 
"Our focus is getting various language newspapers. We sell e-books too," Nair told us. 
He said the site had developed a software that would prevent copying of paid content. "An e-book can be accessed by the buyer but not downloaded," said Nair. 
The buyer can save the e-book in an app memory, which could be accessed without any internet even while travelling.
Read More News at:  Times of India

Friday, August 17, 2012

Beginning September 1, Delhi Book Fair to focus on e-books


NEW DELHI: Beginning on September 1, the latest edition of the Delhi Book Fair will focus on e-books. The nine-day long fair will be held at Pragati Maidan. 

"E-books are catching on as a trend. We have got OverDrive, one of the largest international digital distributors of e-books as a participant in the fair this time. We will also have a two-day seminar on e-books and demonstrations for publishers," says Shakti Malik, treasurer, Federation of Indian Publishers and the director of the Delhi Book Fair. 

Audio books, which got a small, dedicated space in the International Book Fair earlier this year, won't get a similar attention at the Delhi Book Fair. "E-books is a hotter trend now and audio books are yet to catch on in India. We might consider that later," says Malik. 

A delegation of 20 Chinese businessmen is expected to visit for negotiations on translations. "It is surprising, but they are interested in a lot of technical books about computers and the like from India," says Malik. 

Close to 300 publishers are expected to participate this year. Visitors can avail the 11 air-conditioned mini-buses that will ferry them to the exhibition halls from the gates at the sprawling venue. Students carrying an identity card will get a 50% discount on the entry ticket. 

The festival is a collaborative project between the India Trade Promotion Organisation (ITPO) and Federation of Indian Publishers.


Tuesday, August 14, 2012

Thursday, August 9, 2012

American Library Association releases 'Ebook Business Models for Public Libraries'


Washington, D.C.— Based on conversations with publishers and deliberations on the e-book market, the American Library Association (ALA) today released “Ebook Business Models for Public Libraries (PDF),” a report that describes general features and attributes of the current e-book environment and outlines constraints and restrictions of current business models. The report, which was created by the ALA Digital Content & Libraries Working Group (DCWG), suggests opportunities for publishers to showcase content through public libraries.
E-book publishing is expanding and evolving rapidly, and the terms under which e-books are made available to libraries show wide variation and frequent change,” said DCWG Co-Chair Robert Wolven. “In this volatile period, no single business model will offer the best terms for all libraries or be adopted by all publishers or distributors. This report describes model terms libraries should look for in their dealings with e-book publishers and distributors, as well as conditions libraries should avoid.”
The DCWG recommends three basic attributes that should be found in any business model for e-books:
  • inclusion of all titles: All e-book titles available for sale to the public should also be available to libraries;
  • enduring rights: Libraries should have the option to effectively own the e-books they purchase, including the right to transfer them to another delivery platform and to continue to lend them indefinitely;
  • integration: Libraries need access to metadata and management tools provided by publishers to enhance the discovery of e-books.
ALA appreciates that realizing all of these attributes immediately may not be feasible, and a library may elect to do without one or more in return for more favorable terms in other areas, at least temporarily, but these features are ultimately essential to the library’s public role,” said ALA President Maureen Sullivan.
Nationwide, many libraries are facing constraints from publishers on how e-books can be used, including: perpetuating the print model of one user per e-book license purchased; limiting the number of loans; variable pricing; delayed sale; and restrictions on consortial or interlibrary loans. Alternately, opportunities for publishers might include enhanced discovery, readers’ advisory, or even a major new sales channel for library patrons.
The choices that libraries make today can profoundly impact future directions, so it is critical libraries are informed of their options and negotiate aggressively for the most favorable and flexible terms possible,” said Erika Linke, co-chair of the DCWG’s business models subgroup. “Thus, while the DCWG’s primary focus in the past months was to try to influence publishers, we wanted to share some of what we learned with the library community at large.”
The DCWG has developed a number of other resources about e-books, such as its first “Tip Sheet (PDF),” which is on digital rights management, and an E-Content Supplement to American Libraries magazine. Check the American Libraries E-Content blog for new developments from the DCWG.
The DCWG will continue its advocacy on e-book business models for public libraries as it increases its focus on other aspects of e-books such as the school library market and accessibility issues,” said Carrie Russell, lead ALA staffer for the business models subgroup.
Contact: Jazzy Wright
Office for Information Technology Policy (OITP), Washington Office (wo)

Wednesday, August 8, 2012

Fostering reading habits in youth


WEB LINKS

In an attempt to bring students closer to the world of books, INDIAreads Online Library launched ‘Literathon’, a nationwide initiative to foster greater interaction between students and the literary world.

Its inauguration recently took place at the Conference Hall, Delhi University in association with Delhi School of Economics. The event kick-started with launch of ‘Poor Little Rich Slum’, a book by Rashmi Bansal and international management consultant Dr Deepak Gandhi. 

There was also a book reading session by Member of Planning Commission Dr Syeda Hameed and Gunjan Veda who read from their new non fiction-  ‘Beautiful Country: Stories from Another India’.  

The event was a sincere endeavour to provide students and faculty with an opportunity to get acquainted with books and interact with renowned authors. Literathon comprises a host of activities including book launches, talks, interactive sessions, book readings, book bazaars, creative writing workshops and online and on-the-spot competitions.

Gunjan Veda, CEO of INDIAreads says, “The initiative has been conceptualised to make not just books but even their writers more accessible. Literathon is a celebration of books and we are hopeful that we spread this celebration in every state of India.”

Tuesday, August 7, 2012

Endpaper: When the book is a book



PRADEEP SEBASTIAN
On the fortunes of the book: Jean-Claude Carriere (left) and Umberto Eco. Photos: S.S. Kumar and T. Singaravelou
The HinduOn the fortunes of the book: Jean-Claude Carriere (left) and Umberto Eco. Photos: S.S. Kumar and T. Singaravelou

Dips into a long, rambling conversation on the nature of the book by two artists: Umberto Eco and Jean Claude Carriere .
Umberto Eco and Jean Claude Carriere carried on a long, rambling conversation on the nature of the book over several sessions at their two homes. The conversation was ‘curated’ by editor Jean Philippe Tonnac and became a book. They called it This Is Not The End Of The Book; (and the semi colon is very much part of the title).
Disappointingly, there’s very little here, bibliographically speaking, about the printed book. And even less about the digital book, though the jacket blurb opens with how difficult it is these days to get away from discussions on whether the printed book will survive the digital revolution.
Unfamiliar with e-readers
The scriptwriter and the author surprisingly seem unfamiliar with newer e-readers; references to e-readers feel antiquated for a fairly recent conversation on the nature of the book: Eco speaks of how impractical it is to take the computer to read in bed. No one brings up the Kindle or the iPad.
We are living for the first time in an era, Eco says, where there are “so many beautiful, light-filled bookshops to wander in...” Their conversation turns interesting when they speak of book hunting in forgotten antiquarian bookshops, the times spent in old libraries, and the architectural beauty of the printed book. When they speak of the book in various cultures, the book as an idea, it is less interesting — and that’s most of the book. Though Carriere rambles more and Eco is more precise, Carriere is the more interesting for his wide ranging, multicultural references. Eco dully stays Euro-centric, referencing Greek-Latin and Spanish book history, while Carriere talks of Persian manuscripts, Sufi poets, the Mahabharata, the dance of Shiva and ancient African libraries (like the great ancient library in Timbuktu).
The argument of both these wonderful book artists is that “the book represents a sort of unsurpassable perfection in the realm of the imagination.” In a leisurely style, using personal stories, the two men meditate on the “good and bad fortunes of the book”. A perspective of the book that emerges is that it isn’t valuable in itself as an object because not all books are good or great or masterpieces. So why save what is mediocre or trashy? So, the book as an object isn’t meant to be sacred, and is not to be made a fetish. For Eco the book becomes a way of storing cultural information that one does not need to be burdened with; the book is ‘a fridge’.
Eco scores when he predicts that whatever forms the future book will take, it will have to look and feel like the traditional printed book. “The book is like the spoon. Once invented, it cannot be improved.” Electronic media formats are notoriously ephemeral, observe both writers. Eco recalls once hunting for an early version of Foucault’s Pendulum, which he had on floppy discs, but he couldn’t find them probably because they were thrown out. If it had been a typed manuscript, he points out, he would have found it somewhere in the house. After years of resisting having a film library of his own, Carriere gave in when the DVD came and began making his film collection and now the DVD is on its way out. But the tenacious incunabula, early printed books from the 15th century that both men collect, remain the same.
Passion for books
Eco admits that, though he speaks passionately of the printed book, if there was a fire in his house the first thing he would take with him is his 250 gigabyte hard drive. Both men are collectors of rare and expensive books; they reminisce about tracking down certain editions they were obsessed with and divulge their collecting criteria: Carriere’s is eclectic; one special focus is a collection of Persian books. Eco’s primary focus is collecting ancient, rare and antiquarian books on fakes.
Eco has 50,000 books, out of which 1,200 are very rare. Carriere has around 40,000 not counting his large collection of legends and fairly tales. The book he values most in his collection — the one he would grab if his library was on fire — is a 1490 volume with wonderful illustrations, plates and folded pages. Carriere would grab an “Alfred Jarry manuscript, as well as one by Andre Breton, and a book by Lewis Carroll that contains a letter he wrote.” Carriere shares an anecdote about a book scout he knew who rode in a moped carrying antiquarian treasures in a plastic bag on its handlebars!
The Gutenberg galaxy isn’t the only thing discussed; Eco and Carriere go further back and invoke parchments, scrolls, manuscripts. In ancient Rome, Eco tells us for instance, little shops sold scrolls. You dropped into one of them before heading into the library (or soon after) and asked for the latest bestseller. A week later something, say, by Virgil was copied just for you and kept ready to be picked up.
Eco also tells us that only now we know that old libraries — like those fabled monastic medieval libraries — did not hold thousands of volumes; perhaps around 400 to each library. The printed book, masterfully typeset, illustrated, bound and printed in its infancy, was expensive; 400 was a lot of copies to have in one collection.
Umberto is at his best when he speaks of books and his childhood. When he was five or six, his grandfather who had been a typographer and a bookbinder died and Eco discovered his bookshelves which held stacks of books waiting to be bound. They were all kinds of books from splendidly illustrated adventure books to science books to erotic books. They were in boxes in the cellar and Umberto would be sent down to collect coal to heat the house, and he would linger with these boxes.
Once, more recently, Eco was looking for a book in his library and his secretary suggested ordering the shelves but Eco protested; he wanted to roam and look and find it somewhere rather than go straight to it. Carriere speaks of sometimes just looking at his books. Not touching them or taking them out. Just standing and looking. And remembers coming upon Jean Luc Goddard more than once just staring at cans and cans of his film reels arranged on shelves!
Eco says keeping an old clock in your library wards off worms; the minute vibrations of the tick-tock of the clock through the night keeps the worms tucked into the woodwork. What would happen, asks Tonnac, to their books after their death? Eco hopes to leave it to libraries and not break it up; Carriere will let his wife and children and friends decide.

‘We provide e-books to about 200 universities’- Jagdish Arora

IN THIS AGE when knowledge and information is passing through technological changes, Information and Library Network (INFLIBNET), which is an autonomous Inter-University Centre (IUC) under the University Grant Commission (UGC), aims in providing all the Universities with academic resources. Jagdish Arora, Director of INFLIBNET tells Goter Gangkak about the organisation, the initiative that would help avoid plagiarism and the importance of e-books.

EDITED EXCERPTS
What is INFLIBNET? How did it all start?INFLIBNET was started out as a major programme by UGC under Inter-University Centre for Astronomy and Astrophysics (IUCAA) in 1991. It became an autonomous body in 1996. Since then INFLIBNET has been providing resources to universities all over India in the form of e-books and database.
How many universities or Institution comes under it? Is Delhi University also a part of it?
INFLIBNET provides educational resources to about 200 universities apart from more than 100 other institutions. Delhi University also comes under INFLIBNET but it lacks the basic infrastructure and sometimes faces the problem of excessive downloading.
What about the universities and colleges in rural areas? What are the major challenges you face in such universities
Mostly private universities sign up for access but we do provide resources to colleges and institutions in rural areas. Rural universities usually lack proper infrastructure. We provide basic infrastructure like setting up computer systems and educating the students how to use them in such universities.
Book sources say that e-books kill authenticity of print. Why do you support
e-books?

I believe an e-book is equivalent to print. If you compare the procedure that is required in creating an e-book, it is the same as print in terms of editing, proof reading and spell-check. Also, an e-book can help people with disability to read better in terms of visual elements.
What has INFLIBNET got in store for academicians?
We are working on a programme which will help academicians keep a check on plagiarism in their thesis and research works.
More News at: http://www.tehelka.com/

Wednesday, August 1, 2012

Now rent books from online library Hookedonbook.com; Can books work where DVD rentals failed?



Even as online rentals for products is yet to be validated as a sustainable business model at least in India (remember what happened to DVD rentals?), there are new startups trying their hand at it, albeit with a different proposition. One such firm is a Delhi-based startup, which has just launched an online library Hookedonbook.com with a paid subscription model, while also hedging the business with an online store for second hand books.

The site claims to have more than 10,000 books as of now and offers free delivery and pick-up for all its books. The site went live just last week, and as of now the service is only available in the Delhi-NCR region.
Hookedonbook Pvt Ltd was founded by Vikram Khosla in April 2012. Prior to Hookedonbook, Khosla was running an import-export business in the US, before shifting base back to India. He holds a B.E degree in Computer Sciences from Karnataka University and has designed the site himself. The company handles its own logistics and has a team size of 12 people, including delivery boys.
For renting the books, users have to first sign up for a monthly membership. As of now, there are three types of memberships available that include ‘individual plan’, ‘buddies plan’ and ‘family plan’ for Rs 500, Rs 750 and Rs 1,000, respectively. The members also have to pay a security deposit equivalent to twice the amount of the membership they have opted for (basically two months membership). So if you opt for the Rs 500 plan, the security deposit will be Rs 1,000, and so on. The individual plan allows its members to rent up to four books in a month, while for buddies plan it is eight per month and for family plan the number goes up to 60 books per month (two books a day).
As of now, the only available payment method is cash on delivery (COD), but the company will gradually enable online payments as well.
“The idea for Hookedonbook actually came from my daughter, who could not find good libraries (both online and offline) to rent books here, after returning from the US,” said Khosla.
Once a member, readers can select a list of books they want to read and the company delivers them one by one at their doorsteps. If by chance, the number one book in the readers list is not available, the company delivers the number two book in the list, while promising to make the number one book available to the reader in a fortnight.
The maximum delivery time for a book is 48 hours and readers can keep them for as long as their membership lasts. Some of the new titles we found on the site included Calico Joe (John Grisham), Fifty Shades of Grey (E. L. James), What Young India Wants (Chetan Bhagat) and In Different Form (Yuvraj Singh).

Friday, July 27, 2012

Libraries and e-books:Literary labours lent -The uncertain economics of lending virtual books


I hear Muggles make books disapparate
LIKE a tired marriage, the relationship between libraries and publishers has long been reassuringly dull. E-books, however, are causing heartache. Libraries know they need digital wares if they are to remain relevant, but many publishers are too wary of piracy and lost sales to co-operate. Among the big six, only Random House and HarperCollins license e-books with most libraries. The others have either denied requests or are reluctantly experimenting. In August, for example, Penguin will start a pilot with public libraries in New York.
Publishers are wise to be nervous. Owners of e-readers are exactly the customers they need: book-lovers with money (neither the devices nor broadband connections come cheap). If these wonderful people switch to borrowing e-books instead of buying them, what then?

Unlike printed books, which must be checked out and returned to a physical library miles from where you live, book files can be downloaded at home. Digital library catalogues are often browsed at night, from a comfy sofa. The files disappear from the device when they are due (which means no late fees, nor angst about lost or damaged tomes).
Awkwardly for publishers, buying an e-book costs more than renting one but offers little extra value. You cannot resell it, lend it to a friend or burn it to stay warm. Owning a book is useful if you want to savour it repeatedly, but who reads “Fifty Shades of Grey” twice?
E-lending is not simple, however. There are lots of different and often incompatible e-book formats, devices and licences. Most libraries use a company called OverDrive, a global distributor that secures rights from publishers and provides e-books and audio files in every format. Some 35m titles were checked out through OverDrive in 2011, and the company now sends useful data on borrowing behaviour to participating publishers. Yet publishers and libraries are worried by OverDrive’s market dominance, as the company can increasingly dictate fees and conditions.
Publishers were miffed when OverDrive teamed up with Amazon, the world’s biggest online bookseller, last year. Owners of Amazon’s Kindle e-reader who want to borrow e-books from libraries are now redirected to Amazon’s website, where they must use their Amazon account to secure a loan. Amazon then follows up with library patrons directly, letting them know they can “Buy this book” when the loan falls due.
This arrangement nudged Penguin to end its deal with OverDrive earlier this year. The publisher’s new pilot involves 3M, a rival distributor that does not yet support the Kindle. “Ultimately Amazon wants to control the library business,” says Mike Shatzkin, a publishing consultant.
Library users—nearly 60% of Americans aged 16 and older, according to Pew, an opinion researcher—are a perfect market for Amazon. It woos them by making loans on the Kindle uniquely easy. Late last year Amazon also unveiled its Kindle Owners’ Lending Library, which lets its best customers (called “Amazon Prime” members) borrow free one of thousands of popular books each month.
Library boosters argue that book borrowers are also book buyers, and that libraries are vital spaces for readers to discover new work. Many were cheered by a recent Pew survey, which found that more than half of Americans with library cards say they prefer to buy their e-books. But the report also noted that few people know that e-books are available at most libraries, and that popular titles often involve long waiting lists, which may be what inspires people to buy.
So publishers keep tweaking their lending arrangements in search of the right balance. Random House raised its licensing prices earlier this year, and HarperCollins limits libraries to lending its titles 26 times. Penguin plans to keep new releases out of libraries for at least six months, and each book will expire after a year. Hachette is engaged in some secret experiments, and the others are watching with bated breath. In Britain the government will soon announce a review of the matter. The story of the library e-book is a nail-biter.

Thursday, July 26, 2012

With eBooks, Indian publishers turn new page-- Archana Khare Ghose

On September 14, 2011, well-known bookshop Borders closed its last New York store. By the end of the month, this chain of bookstores with 226 outlets in the US had shut shop. That itself was indicative of the churning in the publishing industry of the world's largest books market, the US. Sale of printed books was declining and those of eBooks rising. It's the same story elsewhere in the West, where this industry is seeing a growth in eBooks. However, India is yet to see a similar impact.
But change may be imminent. According to a FICCI report, India has an estimated 600 million book readers and, with Penguin, the country's largest English publisher, releasing 250 new titles from the last week of June, eBooks seem to have finally found a foothold. The books include 'The Book of Buddha', 'Dreams in Prussian Blue', 'Farewell Song' and 'Ideas of a Nation: Subhash Chandra Bose'.

HarperCollins too should be ready to announce its e-titles in a month's time, while ACK Media, publishers of 'Amar Chitra Katha' among other popular titles, have gone on record saying they would launch eBooks this year. They, however, declined to be a part of this story.
"The driver for the eBooks market is the usage of computers, internet and mobile phones. And India is not just a rapidly growing market for new technology, but technology itself has evolved enough for comfortable reading on various devices," says Ananth Padmanabhan, VP (sales), Penguin India.
According to the latest World Bank report, India has 70 mobile subscriptions per 100 people with one of the highest average mobile data speeds. Padmanabhan says the bigger challenge, however, is to see how many e-readers the country can have.
India doesn't have a mass-scale reading tradition. According to FICCI's report, India has a low per capita expenditure on books per annum — Rs 80 as compared to Rs 4,000 in the UK.
However, Lipika Bhushan, head (marketing), HarperCollins, says that the figure for users of various e-devices is constantly growing. "Most of these are young Indians who are very active online. Though no publisher can say with surety what impact these figures will have on the eBooks market, a change will positively come."
Rahul Srivastava, director (sales & marketing), Simon & Schuster India, says, "According to a survey conducted this year among 10 countries, nowhere have more people bought and downloaded eBooks than in India, where 24% have tried at least one."
This is also that chunk of readership which has made genres like metro reads and college romances popular, adds Bhushan. "About 5-7 years ago, a bestseller would be sold in the range of 3,000-5,000, but now 50,000 is nothing." Padmanabhan concurs, "About a decade back, Penguin bestsellers sold 10,000-15,000 copies; today, that figure stands at half-a-million."
The biggest push for eBooks comes from the growth of online shopping.
Flipkart, the largest online bookstore in India, was established in 2007 and broke even in March 2008. According to FICCI, Flipkart claims to have at least 100% growth every quarter since its founding. Flipkart CEO Sachin Bansal in a report on book piracy mentioned that the estimated size of the online book market here stood at Rs 1 billion in 2011.
The figures for book publishing in India are no less impressive — it's estimated to have an annual turnover of $1 billion, making it the the seventh largest book publisher in the world and the third largest market for English books. No wonder Bhushan says that the eBooks market in India is an addition to the physical books market and not an alternative — precisely why publishers are cautious about pricing.

While in the West an eBook may come for one-tenth of the price of an actual book, in India that would mean the industry hurting its own hand as it has one of the cheapest prices for books.
But that is an issue that is likely to be sorted out soon. And publishers' optimism about a healthy eBooks market in India in the next five years may not be misplaced.

Source-http://articles.timesofindia.indiatimes.com/2012-07-22/india/32788012_1_ebooks-lipika-bhushan-harpercollins

Library of Congress Releases “Aesop For Children”, A Free Interactive eBook App For iOS


Although LC has releases two other iOS apps (see below) this is their first ebook app release.
Version 1.0 of the app is accessible here. It’s a free download.
From the iTunes App Store:
The Aesop for Children interactive book is designed to be enjoyed by readers of any age. The book contains over 140 classic fables, accompanied by beautiful illustrations and interactive animations.
“Aesop’s Fables”—also called “the Aesopica”—are a collection of stories designed to teach moral lessons credited to Aesop, a Greek slave and story-teller thought to have lived between 620 and 560 BCE.
Aesop’s fables are some of the most well known in the world and have been translated in multiple languages and become popular in dozens of cultures through the course of five centuries. They have been told and retold in a variety of media, from oral tradition to written storybooks to stage, film and animated cartoon versions—even in architecture.
The fables remain a popular choice for moral education of children today. Younger scholars will be able to trace the origin of aphorisms such as “sour grapes” and “a bird in the hand.”
This interactive ebook is presented by the Library of Congress, adapted from the book “The Aesop for Children: with Pictures by Milo Winter,” published by Rand, McNally & Co in 1919. This work is considered to be in the public domain in the United States.
Other iOS Apps From LC include the Congressional Record and the Library of Congress Virtual Tour

Monday, July 2, 2012

Digital age takes libraries off the shelf

June 30, 2012
Ryan Stokes, the new chairman of National Library of Australia pictured in ACE Equity, The Villa, Woolloomooloo, Sydney. 27th June 2012. Photo by Tamara Dean
Ryan Stokes ... new technology can enable more people to enjoy collections. Photo: Tamara Dean

There is much more to Ryan Stokes's new role than books, writes Catherine Armitage.
In 2012, it is possible to interview the incoming chairman of the National Library of Australia about his new role with no mention of the word "books".
I realise this as, in vain, I scour my notebook pages headed "Ryan Stokes" for the two simple shorthand strokes denoting those familiar bound paper objects which, after all, still comprise more than half the library's collection of 6.24 million items.
No luck. Everywhere, though, are the words "digital", "digitised" and "digitalisation".
The 36-year-old scion of his father Kerry's diversified media and mining services empire, with a Bachelor of Commerce from Perth's Curtin University, makes no claims as a scholar or a lover of books even when invited to do so. Instead what he brings to the position, according to the federal Arts Minister, Simon Crean, is "a wealth of business, media and entrepreneurial expertise", not to mention connections.
In particular, Crean said in announcing the appointment, Stokes had "shown leadership in driving digital content and developing the digital economy". This presumably refers to his stewardship of the wireless broadband provider Vividwireless, which Seven Group Holdings recently sold to Optus for $230 million.
In his own words, Stokes brings a "great interest" and ''passion'' for the "treasures that are in the library, the uniqueness of that material and its meaning to Australia". He is also an admirer of the world-leading work the library has done in digitising the physical collections and archiving material that originates in digital form, such as websites.
Our interview takes place in a meeting room at his Sydney office where the walls are thick with 19th-century Australian landscapes by famous named artists. It is a reminder that his father has one of Australia's most highly regarded collections of art and historical objects. Some of these have been lent for National Library exhibitions, which is just one way Stokes came into the orbit of both the NLA and the Arts Minister. (He was also the chairman for three years of the federal government's National Youth Mental Health Foundation, or headspace, until 2008 and is on the board of the Perth International Arts Festival.)
Ships in stormy seas are also heavily represented on the walls. But Stokes, whose carefully articulated sentences punctuated by hand movements suggest media training more than assurance, indicates he will seek plenty of counsel to run the ship steady when he officially replaces the former chief justice of the NSW Supreme Court Jim Spigelman as the NLA chairman from tomorrow.
He is impressed by the strength of the organisation and its executive team. The council he heads "brings a great wealth of experience", he says. Its role is "to assist the executive team" and to "help set the direction as we look at some of the longer term questions around digitisation and other collection issues".
The goals for his three-year term as chairman are to broaden the collections and extend the use of technology as a "wonderful enabler" to "broaden the reach and relevance" of the collections for both their information and cultural heritage value.
On the face of it, the digital revolution that has pundits sounding the death knell for the printed word sounds like bad news for libraries. So it's a surprise that the nation's two most senior librarians argue that Google is great for business.
Google is the library's friend because it has "turned people on to information", Dr Alex Byrne, the state librarian of NSW, says. Where once only highly educated people looked things up, "now you see it across the population", Byrne says.
The library's director-general, Anne-Marie Schwirtlich, says the work of libraries and the skills they embody will be more important than ever as people face the task of navigating masses of information and finding the relevant and authoritative bits so they can make good decisions. Reading, she says, is the "building block of digital literacy".
As libraries work feverishly to digitise their physical collections, the interactive nature of digital learning is transforming libraries from studious environments to social ones.
They are no longer places where people go to be sequestered in silent solitude with a book, although that is still catered for. Libraries are instead being remade as safe communal spaces with comfortable furniture in which to loll, "where people come to relax, educate their kids, study for school or university, look up information for careers or business or pursue interests in retirement", Byrne says. In NSW, they also provide electronic access to government services such as car registration and taxation.
This week, it was revealed the City of Sydney is planning a new $40 million library, including an arts and craft space, commercial kitchen, community meeting rooms and a customer service centre. The library is envisaged as the heart of the Green Square urban renewal project just south of Sydney's central business district.
Libraries are "physically much less warehouses of books and now very much the work rooms and the living rooms", Byrne says.
He is all for the idea that the State Library of NSW might open 24 hours a day as part of the City of Sydney's plan to boost its late-night economy. ''It's good use of public infrastructure and provides a stimulating but safe community space in which people can interact, imagine, relax at all hours.'' But security and staffing issues would need careful attention, he says.
So far, visitor numbers are solid. In NSW, more than 3.3 million people, or 46 per cent of the population, were public library members in 2010. In the five years to 2010, the number of library visits rose 15 per cent and the number of books borrowed rose 7 per cent. In 2010, members of the public logged more than 2.4 million internet hours in libraries.
The ability to interact with libraries via the internet means log-ins will be no less important than in-person visits as a measure of the reach of libraries, especially when the national broadband network is in operation.
"We are only at the beginning of conceiving how we can use that capacity," Schwirtlich says. The amount of data the library can supply and the way people interact with it will be transformed. Curatorial experts physically visible to community groups or classes on the other side of the country will be able to conduct virtual tours of collections.
Stokes says "continuing to enrich the experiences available for free" remains a core objective for the NLA under his stewardship.
Schwirtlich reminds that, powerful as it is, Google does not pay for and provide access to the mass of information resources in libraries, which have always played a vital social role in giving people access to information regardless of their wealth.
The ''purposeful, long-term, methodical, expert work of collecting, cataloguing and archiving'' remains vital to the nation, she says. "The future is tethered, shaped, informed and nourished by the past."